BEING BUT ONE OF THE CONSIDERATE PAUSES IN A LONG JOURNEY,
CHARITABLY AFFORDED TO THE READER.Colonel Morley found Mr. Poole at home, just returned from his office; he stayed with that gentleman nearly an hour, and then went straight to Darrell. As the time appointed to meet the French acquaintance, who depended on his hospitalities for a dinner, was now nearly arrived, Alban's conference with his English friend was necessarily brief and hurried, though long enough to confirm one fact in Mr. Poole's statement, which had been unknown to the Colonel before that day, and the admission of which inflicted on Guy Darrell a pang as sharp as ever wrenched confession from the lips of a prisoner in the cells of the Inquisition. On returning from Greenwich, and depositing his Frenchman in some melancholy theatre, time enough for that resentful foreigner to witness theft and murder committed upon an injured countryman's vaudeville, Alban hastened again to Carlton Gardens. He found Darrell alone, pacing his floor to and fro, in the habit he had acquired in earlier life, perhaps when meditating some complicated law case, or wrestling with himself against some secret sorrow. There are men of quick nerves who require a certain action of the body for the better composure of the mind; Darrell was one of them.
During these restless movements, alternated by abrupt pauses, equally inharmonious to the supreme quiet which characterised his listener's tastes and habits, the haughty gentleman disburdened himself of at least one of the secrets which he had hitherto guarded from his early friend. But as that secret connects itself with the history of a Person about whom it is well that the reader should now learn more than was known to Darrell himself, we will assume our privilege to be ourselves the narrator, and at the cost of such dramatic vivacity as may belong to dialogue, but with the gain to the reader of clearer insight into those portions of the past which the occasion permits us to reveal—we will weave into something like method the more imperfect and desultory communications by which Guy Darrell added to Alban Morley's distasteful catalogue of painful subjects. The reader will allow, perhaps, that we thus evince a desire to gratify his curiosity, when we state that of Arabella Crane Darrell spoke but in one brief and angry sentence, and that not by the name in which the reader as yet alone knows her; and it is with the antecedents of Arabella Crane that our explanation will tranquilly commence.
